The Pinter Review Volume 1, No. 1, 1987
CONTENTS | |
Introduction to Harold Pinter’s Unpublished Novel The Dwarfs | Francis Gillen |
From: The Dwarfs | Harold Pinter |
The Temporality of Structure in Pinter’s Plays | Austin Quigley |
The Multiple Levels of Action in Pinter’s Victoria Station | Katherine H. Burkman |
Pinter’s Scenic Imagery | Katharine Worth |
Observations of Two Productions of Pinter’s Old Times | Steven H. Gale |
For Harold Pinter (Poem) | Alan Bold |
Productions Reviews | |
The Birthday Party (BBC2, June 4 1987) | Ronald Knowles |
The Lover and A Slight Ache (Young Vic June 1987) | Gerald Berkowitz |
The Dumb Waiter (ABC, May 12 1987) | Arlen Collier |
Book Reviews | |
David T. Thompson: Pinter – The Player’s Playwright | Martin Esslin |
L.A.C. Dobrez: The Existential and Its Exits | Anne Paolucci |
Katharine H. Burkman: The Arrival of Godot: Ritual Patterns in Modern Drama | Susan Brienza |
Elin Diamond: Pinter’s Comic Play | Katherine Kelly |
Bibliography: | |
Recent Developments in Pinter Criticism | |
Harold Pinter Bibliography 1986-87 | Susan Hollis Merritt |
The Pinter Review Volume 2, No. 1, 1988
CONTENTS | |
From Chapter Ten of The Dwarfs to Mountain Language: The Continuity of Harold Pinter | Francis Gillen |
From The Dwarfs (unpublished novel) | Harold Pinter |
|
Judith Roof |
|
Leslie Kane |
Pinter’s Turtle Diary: Text into Subtext | Katherine H. Burkman |
The Medieval Roots of Pinter’s A Slight Ache: The Matchseller as Fool | Kelly Bellanger |
The Beat Goes On: Sexual Politics in Harold Pinter’s The Lover | Anne C. Hall |
Production: Comments and Reviews | |
Keeping up the Mask: Some Observations ofn Directing Pinter | Carey Perloff |
The Birthday Party | Susan Hollis Merritt |
The Birthday Party | Bernard F. Dukore |
The Room | Anne Marie Drew |
Mountain Language | Martin Esslin |
Book Reviews | |
Bert O. States, Great Reckonings in Little Rooms: On the Phenomenology of the Theatre | Steven H. Gale |
Steven H. Gale, ed., Harold Pinter: Critical Approaches. | C. David Frankel |
Bibliography | |
Harold Pinter Bibliography, 1987-1988 | Susan Hollis Merritt |
The Pinter Review Annual Essays 1989
CONTENTS | |
Essays | |
Correcting the Space: Scenic Negotiations in No Man’s Land | Stanton B. Garner, Jr |
|
Penelope Prentice |
|
Ronald Knowles |
“I Decided She Was”: Representation of Women in The Homecoming | Debra A. Sarbin |
Notes | |
The Rhetoric of Evasion as Political Discourse: Some Prelimiaries on Pinter’s Political Language | Elizabeth Sakellaridou |
Harold Pinter in New York | Observed by Lois Gordon |
Old Friends Reminisce | Al Kalson |
Briefly Noted…Queries | |
Production: Comments and Reviews | |
A Conversation with Carey Perloff, Bill Moor, Peter Riegert, Jean Stapleton and David Straithain after Matinee of Mountain Languageand The Birthday Party | Susan Hollis Merritt |
A Master Class in Play Direction | |
Mountain Langauge and The Birthday Party | Francis Gillen |
Book Reviews | |
Elizabeth Sekallaridou: Pinter’s Female Portraits | Leslie Kane |
Volker Strunk: Harold Pinter: Toward a Poetics of HisPlays | Katherine H. Burkman |
Ronald Knowles: The Birthday Party and The Caretaker: Text and Performance | Henry I. Schvey |
Anthony S. Abbott: The Vital Lie: Reality and Illusion in Modern Drama | Martin Esslin |
Richard Allen Cave: New British Drama in Performance on the London Stage | Ann C. Hall |
Bibliography | |
Harold Pinter Bibliography, 1988-1989 | Susan Hollis Merritt |
The Pinter Review Annual Essays 1990
CONTENTS | |
Essays | |
Pinter: A Culture of Absence | Carlos Fuentes |
|
Steven H. Gale |
|
Ayako Kuwahara |
Time Passages | Leslie Kane |
Between Fluiditiy and Fixity: Harold Pinter’s Novel The Dwarfs | Francis Gillen |
Melodramatic Problematics in Pinter’s Films of Betrayal | Harriet A. Deer |
Antonia Fraser Presents “No Man’s Homecoming,” a newish play by Harold Pinter | Antonia Fraser |
Notes | |
Theorizing the Madness of the Real: The Case of Pinter’s Len | Marc Silverstein |
Production: Comments and Reviews | |
Harold Pinter 1990: BBC Birthday Celebration; Reviews of The Heat of the Day, Famiy Voices, A Kind of Alaska, Betrayal | Ronald Knowles |
The Homecoming Revived | Martin Esslin |
The Handmaid’s Tale | Cynthia Baughman |
The Birthday Party | Steven H. Gale |
Book Reviews | |
Susan Hollis Merritt: Pinter in Play: Critical Strategies and the Plays of Harold Pinter | John Gronbeck Tedesco Richard Hansen |
Steven H. Gale; Critical Essays on Harold Pinter | Kimball King |
Lois Gordon | Albert Wertheim |
Bibliography | |
Harold Pinter Bibliography, 1989-1990 | Susan Hollis Merritt |
The Pinter Review Annual Essays 1991
CONTENTS | |
Essays:Creative Work | |
The New World Order | Harold Pinter |
|
Bernard F. Dukore |
|
Ann C. Hall |
Victory: A Pinter Screenplay Based on the Conrad Novel | Christopher Hudgins |
An Italian Kind of Alaska | Margaret Rose |
Americal Football | Harold Pinter |
Notes | |
Satire on Television: The Basement and The Tea Party | Kimball King |
A Minimalist Approach to Directing The Lover | John Lingard |
Production: Notes and Reviews | |
A Kind of Dance, A Kind of Drama: Three Works by Stewart Pimsler Inspired by and Produced for the International Pinter Conference | Ann C. Hall |
Betrayal | Stanton B. Garder, Jr |
The Caretaker, Thirty Years On | Gerald M Berkowitz |
The Hothouse: A Dialogue Between Director and Critic | Stephen Gray and Francis Gillen |
From London: Harold Pinter 1991 | Ronald Knowles |
Party Time and Mountatin Language | Katherine H. Burkman |
Book Reviews | |
Harold Pinter: Life ,Work, Criticism by Penelope Prentice | Brian Richardson |
Bibliography | |
Harold Pinter Bibliography, 1990-1991 | Susan Hollis Merritt |
The Pinter Review Annual Essays 1992 – 1993
CONTENTS | |
Essays:Plays | |
Keeping the Other in Its Place: Language and Difference in The Room and The Birthday Party | Marc Silverstein |
|
Norman J. Meyers |
|
Robert Conklin |
“…Whatever Light is Left in the Dark”: Harold Pinter’s Moonlight | Francis Gillen |
Essays: Screenplays | |
Harold Pinter’s Death in Venice: The Comfort of Strangers | Katherine H. Burkeman |
Cold Comfort: Harold Pinter’s The Comfort of Strangers | Stephanie Tucker |
Nothing to Fight for : Repression of the Romance Plot in Harold Pinter’s Screenplay of The Handmaid’s Tale | Grace Epstein |
Harold Pinter on The Trial | |
Notes | |
Just a Blody Woman: Gendered Realities in The Lover | Mary Armstrong |
The Metadramatic Prison of Betrayal | Claudia Barnett |
The Road to Basingstoke: The Birthday Party and the IRA | Ronald Knowles |
Production: Notes and Reviews | |
The Homecoming | Reviewed by John F. McDiarmid |
The Caretaker | Reviewed by Leslie Kane |
Betrayal in Prague | Frantisek Frohlich |
From London: Harold Pinter 1992 | Ronald Knowles |
Book Reviews | |
Katherine H. Burkman: Simon Gray: A Casebook | Reviewed by William Hutchings |
Harold Pinter: Ten Early Poems | Reviewed by Daniel Vilmure |
Bibliography | |
Bibliography of Harold Pinter 1992-1993 | Susan Hollis Merritt |
The Pinter Review Annual Essays 1994
CONTENTS | |
Early Draft, The Homecoming | Harold Pinter |
Evacuees | Harold Pinter |
The Pinter Archive; Description of the Archive in the British Library | Susan Hollis Merritt |
Essays:Plays | |
Echo[es] in Moonlight | Katheine H. Burkman |
|
Robert Baker-White |
Essays: Screenplays | |
Comments on Harold Pinter’s Adaptation of Franz Kafka’s The Trial | Frederick R. Karl |
The Trial | Jeanne Connolly |
Pinter, Trevor and Quiller “in the Gap” | Mark Auburn |
Production: Notes and Reviews | Reviewed by |
Moonlight and Pinter in Amsterdam | Cobi Bordewijk |
Betrayal in Korea | Mejeong Kim |
Betrayal in Kentucky | Steven H. Gale |
Home Alone: Pinter Without a Director | Anthone Haigh |
The Caretaker | Brian Richardson |
No Man’s Land | Francis Gillen |
From London: Harold Pinter 1993-1994 | Ronald Knowles |
Book Reviews | |
The Pinter Ethic: The Erotic Aesthetic by Penelope Prentice | Thomas P. Adler |
“A Kind of Alaska”: Women in the Plays of O’Neill, Pinter and Shepherd by Ann C. Hall | Judith Roof |
Pinter at Sixty, Ed. by Katerine H. Burkman and John L. Kundert-Gibbs | William Hutchings |
Bibliography | |
Bibliography of Harold Pinter 1994 | Susan Hollis Merritt |
The Pinter Review Annual Essays 1995 – 1996
CONTENTS | |
Harold Pinter: A Speech of Thanks | |
Writing, Politics, and Ashes to Ashes: An Interview with Harold Pinter | Mireia Aragay |
Early Typed Draft, The Homecoming | Harold Pinter |
Spatialized Time in Harold Pinter’s Silence | C. Clausius |
Pinter in Russia | Charles Evans |
|
Christopher Hudgins |
Pinter Playing Pinter: The Hothouse | Susan Hollis Merritt |
Notes on a Lecture-Workshop on Pinter’s Monologue | Margaret Rose |
Charting Pinter’s Itinerary: Literary Allusion in A Kind of Alaska | Lisa Tyler |
The Harold Pinter Archives II: A Description of the Filmscript Materials in the Archive in the British Library | Steven H. Gale and Christopher Hudgins |
Expanding Upon Nothing: A Slight Ache and King Lear | Robert Cooperman |
From London. Harold Pinter 1994-5 and 1995-6 | Ronald Knowles |
Production: Notes and Reviews | Reviewed by |
Moonlight in Hamburg | Peter Munder |
Moonlight and The Homecoming in Prague | Susan Hollis Merritt |
Moonlight in New York | Francis Gillen |
Old Times in Washington | Brian Richardson |
The Proust Screenplay on BBC Radio | Mary Bryden |
Betrayal in Vancouver | Malcolm Page |
Landscape in London | Robert Gordon |
Book Reviews | |
Understanding Harold Pinter by Ronald Knowles | William Hutchings |
Conversations with Pinter, by Mel Gussow | Stephanie Moss |
Gender and Power in the Plays of Harold Pinter by Victor L. Khan | Kimball King |
Performing Women: Female Characters, Male Playwrights and the Modern Stage by Gay Gibson Cima | Kimball King |
Appendix: Early Draft, The Homecoming: Amended Version | |
Bibliography | |
Harold Pinter Bibliography, 1993-1994 | Susan Hollis Merritt |
The Pinter Review Annual Essays 1997 – 1998
CONTENTS | |
Manuscript | |
First Draft, The Homecoming | Harold Pinter |
Pinter at Work: An Introduction to the First Draft on The Homecomingand Its Relationship to the Completed Drama | Francis Gillen |
The Plays | |
Looking for Mr Goldberg: Spectacle and Speculation in Harold Pinter’s The Birthday Party | Ann C. Hall |
|
Christopher Wixson |
Talking About Some Kind of Atrocity: Ashes to Ashes in Barcelona | Marc Silverstein |
Harold Pinter’s Ashes to Ashes: Rebecca and Devlin as Albert Speer | Katherine H. Burkman |
The Screenplays | |
From real to Real: Pinter and the Object of Desire in Party Time andThe Remains of the Day | Linda Renton |
My Dark House: Harold Pinter’s Political Vision in His Screen Adaptation of Karen Blixen’s “The Dreaming Child“ | Francis Gillen |
Book Reviews | |
An Interview with Michael Billington, Author of The Life and Work ofHarold Pinter | Donald Freed |
Production: Notes and Reviews | |
3 by Harold Pinter | Robert Gordon |
Moonlight in Columbus | Marya Bednerik |
Ashes to Ashes in New York | Katherine H. Burkman |
Ashes to Ashes in New York | Susan Hollis Merritt |
Betrayal in London | Elizabeth Winston |
Kevin Sweeney | |
From London | |
Harold Pinter 1996-1997 and 1997-1998 | Ronald Knowles |
Bibliography | |
Harold Pinter Bibliography 1994-1996 | Susan Hollis Merritt |
Culmulative Index | Shannon E. Gale |
Nobel Prize Nominating Letters | |
The Pinter Review: Collected Essays 1999 – 2000
CONTENTS | |
Celebration | |
Pinter at School | Henry Grinberg |
Pinteresque | Margaret Atwood |
Body and Soul: Poetics and Politics in the Work of Harold Pinter | Donald Freed |
|
|
Harold Pinter and the Case of the Guilty Pen | Katherine H. Burkman |
Harold Pinter: from Moonlight to Celebration | Martin Esslin |
An Experience of Pinter: Address to the International Conference on Harold Pinter | Michael Billington |
From the Pinter Archive, The British Library, London | |
A Comment on a Holograph Fragment Found Among the Drafts of No Man’s Land A Feminine Voice | Francis Gillen |
Holograph Draft Fragment | Harold Pinter |
Poetry, Plays and Films | |
Vision and Desire in Harold Pinter’s Unpublished Poem “August Becomes” | Linda Renton |
Celebration in Performance; the Drama of Environment | Robert Gordon |
Harold Pinter’s Ashes to Ashes: Political/Personal Echoes of the Holocaust | Susan Hollis Merritt |
Harold Pinter’s Screenwriting: the Creative/Collaborative Process | Steven H. Gale |
Speaking out | |
An Interview with Harold Pinter | Elizabeith Sakellaridou |
Aristotle University of Thessaloniki, Degree Speech April 18 2000 | Harold Pinter |
Pinter and Other Writers | |
Harold Pinter and T.S. Eliot | Ronald Knowles |
Living in the Present: Pinter and O’Neill, Parallels and Affinities | Robert Combs |
Pinter in Production | |
Finding Pinter’s Subtext: Directing The Lover | Sidney Homan |
Political and Personal Worlds of Play: Women at Play Perform Pinter’sAshes to Ashes | Robert Conklin |
Shaping Ambiguity: The Chemistry Between Silence, Ghosting, and Framing Devices within a Production of Harold Pinter’s Ashes to Ashes | Christy Stanlake |
Finding Themselves: The Mandrake Theatre Company’s Production of Harold Pinter’s The Dwarfs | Ann C. Hall |
Harold Pinter’s The Dwarfs in London: A Playwright’s Perspective | Penelope Prentice |
No Man’s Land in Athens | Elizabeth Sakellaridou |
Books on Pinter | |
Harold Pinter and the New British Theatre by D. Keith Peacock | Steven H. Gale |
Postmodern/Drama : Reading the Contemporary Stage by Stephen Watt | William Hitchings |
Staging the Rage: The Web of Misogyny in Modern Drama ed. Katherine H. Burkman and Judith Roof | Leigh Joyce Harbin |
London Report | |
Harold Pinter 1998-2000 | Ronald Knowles |
Bibliography | |
Harold Pinter Bibliography 1996-1999 | Susan Hollis Merritt |
Appendix | |
Program of the International Pinter Conference, London , England |
The Pinter Review: Collected Essays 2001 – 2002
CONTENTS | |
Then and Now | |
Harold Pinter and the “Unfashionable Theatre”: An interview with Ronald Harwood | Donald Freed |
|
Mel Gussow |
From the Pinter Archive, The British Library, London | |
Draft of Landscape | Harold Pinter |
“The Shape of Things” Landscape in Draft, Text and Performance | Francis Gillen |
Landscape and Celebration, Set Designs | Eileen Diss |
Critical Perspectives | |
“Oh, My True Love”: The Lover in Pinter’s Landscape | Prapassaree T. Kramer |
The Unhemilich Maneuver: Ashes to Ashes and the Structure of Repression | Craig N. Owens |
“You Brought It Upon Yourself”: Subjectivity and Culpability inAshes to Ashes | Jessica Prinz |
Pinter’s Phenomonological Mis-en-Scene | Elizabeth Sakellaridou |
The Playwright as Director: Pinter’s Oleanna | Ira B. Nadel |
Pinter in a Turkish Context | Ibrahim Yerebakan |
Production The Lincoln Center Festival | |
The Lincoln Center Pinter Festival: An Overview | Steve H. Gale |
The Room and The Homecoming, set designs | Eileen Diss |
Talking About Pinter”An Introduction to the Works of Harold Pinter”, by Michael Billington; “Playwrights on Pinter”: Arthur Miller, Edward Albee and John Guare; “Actors on Pinter”: Blythe Danner, Live Schreiber and Henry Woolf; and “Directors on Pinter” David Jones, Gari Jones and Karel Reisz | Reported by Susan Hollis Merritt |
Menace Multiplied: Harold Pinter’s A Kind of Alaska and One for the Road | Reviewed by Anne C. Hall |
Monologue at Lincoln Centre | Reviewed by Susan Hollis Merritt |
The Gate Theatre’s The Homecoming | Reviewed by Charles Grimes |
The Room and Celebration Performed by Almeida Theatre | Reviewed by Katherine H. Burkman |
Mountain Language and Ashes to Ashes: A Playwright/Director’s Perspective | Reviewed by Penelope Prentice |
Virtual Pinter | |
Virtual Pinter: Using technology to Re-member The New World Order | John and Kristin Kundert-Gibbs |
London Report | |
Harold Pinter 2000 – 2001 | Ronald Knowles |
Archives | |
Harold Pinter Materials in the Margaret Herrick Library at The Academy of Motion Picture Arts and Sciences Center for Motion Picture Study | Steven H. Gale |
Books | |
The Pinter Ethic: The Erotic Aesthetic (2nd edition) by Penelope Prentice | Reviewed by Peter V. Arcese |
Harold Pinter and the New British Theatre by D. Keith Peacock | Reviewed by Steven H. Gale |
The Films of Harold Pinter by Steven H. Gale | Reviewed by William Hutchings |
Bibliography | |
Harold Pinter Bibliography: 1999 – 2000 | Susan Hollis Merritt |
The Pinter Review: Collected Essays 2003 – 2004
CONTENTS | |
Introduction | |
Original Documents Letters from Harold Pinter to Henry Miller Letter from Harold to his friend, Mick Goldstein, regarding Waiting For Godot. |
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ESSAYS “I’m Compelled to Ask You Questions”: Interrogative Comedy and Harold Pinter’s Ashes to Ashes. |
Christopher Wixson |
The Cheese-Roll under the Cocktail Cabinet: Pinter’s Object Lessons |
Andrew Sofer |
The Contamination of Birth by Sex and Death in the Plays of Beckett and Pinter |
Katherine H. Burkman |
Staged Dialogues with Authorship: Pinter and Beckett as Directors. |
Mark Batty |
“HURRY UP PLEASE, IT’S TIME”: Pinter Past, Pinter Present, and Pinter Future |
Susan Hollis Merritt |
The Modernist as Populist: Pinter’s Betrayal and Mass Culture |
Varun Begley |
“Pinteresque” in the Popular Press | Susan Harris Smith |
The Prescence of Music in Pinter’s Works | Ubiratan Paiva de Oliveira |
FROM WORLD LEADERS: A Festival of Creative Genius: Homage to Harold Pinter |
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Staging Pinter: From Pregnant Pauses to Political Causes, a panel with Henry Woolf, Patricia Rozema and Hersh Zeifman |
Transcribed and edited by Susan Hollis Merritt, assisted by Sean Donnelly |
SCREENPLAYS | |
Process and History in Harold Pinter’s Reunion Screenplay | Charles Grimes |
PINTER IN PRODUCTION | |
Tears and an Actor’ Discovery: Playing Kate in Old Times |
Kathleen Cooper and Sidney Homan |
The Caretaker in New York | Reviewed by Francis Gillen |
Challenging Theatre: The Cleveland Playhouse’s Production of Harold Pinter’s Betrayal. |
Reviewed by Ann C. Hall |
An Interview with Pavel Dobrusky and Peter Hackett | Joseph Fahey |
Betrayal in Denver | Reviewed by Susan Hollis Merritt |
The Caretaker and Betrayal | Reviewed by Mary Bryden |
Making Spaces: Women at Play’s Production of Harold Pinter’s The Roomand Celebration. |
Reviewed by Ann C. Hall |
BOOKS | |
The Cambridge Companion to Harold Pinter | Reviewed by Thomas P. Adler |
Pinter and the Object of Desire: An Approach Through the Screenplays |
Reviewed by Ann C. Hall |
Sharp Cut: Harold Pinter’s Screenplays and the Artistic Process |
Reviewed by Christopher C. Hudgins |
LONDON REPORT | |
Harold Pinter 2002-2004 | Ronald Knowles |
REMEMBERING | |
To Martin | Bernard Dukore |
Robards and Plummer: Partners in “No Man’s Land” | David Jones |
In Memoriam: Martin Esslin, Mark W. Estrin, and Albert Wertheim | Steven H. Gale |
BIBLIOGRAPHY | |
Harold Pinter Bibliography: 2000-2002 | Susan Hollis Merritt |