The Pinter Review Volume 1, No. 1, 1987
| CONTENTS | |
| Introduction to Harold Pinter’s Unpublished Novel The Dwarfs | Francis Gillen |
| From: The Dwarfs | Harold Pinter |
| The Temporality of Structure in Pinter’s Plays | Austin Quigley |
| The Multiple Levels of Action in Pinter’s Victoria Station | Katherine H. Burkman |
| Pinter’s Scenic Imagery | Katharine Worth |
| Observations of Two Productions of Pinter’s Old Times | Steven H. Gale |
| For Harold Pinter (Poem) | Alan Bold |
| Productions Reviews | |
| The Birthday Party (BBC2, June 4 1987) | Ronald Knowles |
| The Lover and A Slight Ache (Young Vic June 1987) | Gerald Berkowitz |
| The Dumb Waiter (ABC, May 12 1987) | Arlen Collier |
| Book Reviews | |
| David T. Thompson: Pinter – The Player’s Playwright | Martin Esslin |
| L.A.C. Dobrez: The Existential and Its Exits | Anne Paolucci |
| Katharine H. Burkman: The Arrival of Godot: Ritual Patterns in Modern Drama | Susan Brienza |
| Elin Diamond: Pinter’s Comic Play | Katherine Kelly |
| Bibliography: | |
| Recent Developments in Pinter Criticism | |
| Harold Pinter Bibliography 1986-87 | Susan Hollis Merritt |
The Pinter Review Volume 2, No. 1, 1988
| CONTENTS | |
| From Chapter Ten of The Dwarfs to Mountain Language: The Continuity of Harold Pinter | Francis Gillen |
| From The Dwarfs (unpublished novel) | Harold Pinter |
|
Judith Roof |
|
Leslie Kane |
| Pinter’s Turtle Diary: Text into Subtext | Katherine H. Burkman |
| The Medieval Roots of Pinter’s A Slight Ache: The Matchseller as Fool | Kelly Bellanger |
| The Beat Goes On: Sexual Politics in Harold Pinter’s The Lover | Anne C. Hall |
| Production: Comments and Reviews | |
| Keeping up the Mask: Some Observations ofn Directing Pinter | Carey Perloff |
| The Birthday Party | Susan Hollis Merritt |
| The Birthday Party | Bernard F. Dukore |
| The Room | Anne Marie Drew |
| Mountain Language | Martin Esslin |
| Book Reviews | |
| Bert O. States, Great Reckonings in Little Rooms: On the Phenomenology of the Theatre | Steven H. Gale |
| Steven H. Gale, ed., Harold Pinter: Critical Approaches. | C. David Frankel |
| Bibliography | |
| Harold Pinter Bibliography, 1987-1988 | Susan Hollis Merritt |
The Pinter Review Annual Essays 1989
| CONTENTS | |
| Essays | |
| Correcting the Space: Scenic Negotiations in No Man’s Land | Stanton B. Garner, Jr |
|
Penelope Prentice |
|
Ronald Knowles |
| “I Decided She Was”: Representation of Women in The Homecoming | Debra A. Sarbin |
| Notes | |
| The Rhetoric of Evasion as Political Discourse: Some Prelimiaries on Pinter’s Political Language | Elizabeth Sakellaridou |
| Harold Pinter in New York | Observed by Lois Gordon |
| Old Friends Reminisce | Al Kalson |
| Briefly Noted…Queries | |
| Production: Comments and Reviews | |
| A Conversation with Carey Perloff, Bill Moor, Peter Riegert, Jean Stapleton and David Straithain after Matinee of Mountain Languageand The Birthday Party | Susan Hollis Merritt |
| A Master Class in Play Direction | |
| Mountain Langauge and The Birthday Party | Francis Gillen |
| Book Reviews | |
| Elizabeth Sekallaridou: Pinter’s Female Portraits | Leslie Kane |
| Volker Strunk: Harold Pinter: Toward a Poetics of HisPlays | Katherine H. Burkman |
| Ronald Knowles: The Birthday Party and The Caretaker: Text and Performance | Henry I. Schvey |
| Anthony S. Abbott: The Vital Lie: Reality and Illusion in Modern Drama | Martin Esslin |
| Richard Allen Cave: New British Drama in Performance on the London Stage | Ann C. Hall |
| Bibliography | |
| Harold Pinter Bibliography, 1988-1989 | Susan Hollis Merritt |
The Pinter Review Annual Essays 1990
| CONTENTS | |
| Essays | |
| Pinter: A Culture of Absence | Carlos Fuentes |
|
Steven H. Gale |
|
Ayako Kuwahara |
| Time Passages | Leslie Kane |
| Between Fluiditiy and Fixity: Harold Pinter’s Novel The Dwarfs | Francis Gillen |
| Melodramatic Problematics in Pinter’s Films of Betrayal | Harriet A. Deer |
| Antonia Fraser Presents “No Man’s Homecoming,” a newish play by Harold Pinter | Antonia Fraser |
| Notes | |
| Theorizing the Madness of the Real: The Case of Pinter’s Len | Marc Silverstein |
| Production: Comments and Reviews | |
| Harold Pinter 1990: BBC Birthday Celebration; Reviews of The Heat of the Day, Famiy Voices, A Kind of Alaska, Betrayal | Ronald Knowles |
| The Homecoming Revived | Martin Esslin |
| The Handmaid’s Tale | Cynthia Baughman |
| The Birthday Party | Steven H. Gale |
| Book Reviews | |
| Susan Hollis Merritt: Pinter in Play: Critical Strategies and the Plays of Harold Pinter | John Gronbeck Tedesco Richard Hansen |
| Steven H. Gale; Critical Essays on Harold Pinter | Kimball King |
| Lois Gordon | Albert Wertheim |
| Bibliography | |
| Harold Pinter Bibliography, 1989-1990 | Susan Hollis Merritt |
The Pinter Review Annual Essays 1991
| CONTENTS | |
| Essays:Creative Work | |
| The New World Order | Harold Pinter |
|
Bernard F. Dukore |
|
Ann C. Hall |
| Victory: A Pinter Screenplay Based on the Conrad Novel | Christopher Hudgins |
| An Italian Kind of Alaska | Margaret Rose |
| Americal Football | Harold Pinter |
| Notes | |
| Satire on Television: The Basement and The Tea Party | Kimball King |
| A Minimalist Approach to Directing The Lover | John Lingard |
| Production: Notes and Reviews | |
| A Kind of Dance, A Kind of Drama: Three Works by Stewart Pimsler Inspired by and Produced for the International Pinter Conference | Ann C. Hall |
| Betrayal | Stanton B. Garder, Jr |
| The Caretaker, Thirty Years On | Gerald M Berkowitz |
| The Hothouse: A Dialogue Between Director and Critic | Stephen Gray and Francis Gillen |
| From London: Harold Pinter 1991 | Ronald Knowles |
| Party Time and Mountatin Language | Katherine H. Burkman |
| Book Reviews | |
| Harold Pinter: Life ,Work, Criticism by Penelope Prentice | Brian Richardson |
| Bibliography | |
| Harold Pinter Bibliography, 1990-1991 | Susan Hollis Merritt |
The Pinter Review Annual Essays 1992 – 1993
| CONTENTS | |
| Essays:Plays | |
| Keeping the Other in Its Place: Language and Difference in The Room and The Birthday Party | Marc Silverstein |
|
Norman J. Meyers |
|
Robert Conklin |
| “…Whatever Light is Left in the Dark”: Harold Pinter’s Moonlight | Francis Gillen |
| Essays: Screenplays | |
| Harold Pinter’s Death in Venice: The Comfort of Strangers | Katherine H. Burkeman |
| Cold Comfort: Harold Pinter’s The Comfort of Strangers | Stephanie Tucker |
| Nothing to Fight for : Repression of the Romance Plot in Harold Pinter’s Screenplay of The Handmaid’s Tale | Grace Epstein |
| Harold Pinter on The Trial | |
| Notes | |
| Just a Blody Woman: Gendered Realities in The Lover | Mary Armstrong |
| The Metadramatic Prison of Betrayal | Claudia Barnett |
| The Road to Basingstoke: The Birthday Party and the IRA | Ronald Knowles |
| Production: Notes and Reviews | |
| The Homecoming | Reviewed by John F. McDiarmid |
| The Caretaker | Reviewed by Leslie Kane |
| Betrayal in Prague | Frantisek Frohlich |
| From London: Harold Pinter 1992 | Ronald Knowles |
| Book Reviews | |
| Katherine H. Burkman: Simon Gray: A Casebook | Reviewed by William Hutchings |
| Harold Pinter: Ten Early Poems | Reviewed by Daniel Vilmure |
| Bibliography | |
| Bibliography of Harold Pinter 1992-1993 | Susan Hollis Merritt |
The Pinter Review Annual Essays 1994
| CONTENTS | |
| Early Draft, The Homecoming | Harold Pinter |
| Evacuees | Harold Pinter |
| The Pinter Archive; Description of the Archive in the British Library | Susan Hollis Merritt |
| Essays:Plays | |
| Echo[es] in Moonlight | Katheine H. Burkman |
|
Robert Baker-White |
| Essays: Screenplays | |
| Comments on Harold Pinter’s Adaptation of Franz Kafka’s The Trial | Frederick R. Karl |
| The Trial | Jeanne Connolly |
| Pinter, Trevor and Quiller “in the Gap” | Mark Auburn |
| Production: Notes and Reviews | Reviewed by |
| Moonlight and Pinter in Amsterdam | Cobi Bordewijk |
| Betrayal in Korea | Mejeong Kim |
| Betrayal in Kentucky | Steven H. Gale |
| Home Alone: Pinter Without a Director | Anthone Haigh |
| The Caretaker | Brian Richardson |
| No Man’s Land | Francis Gillen |
| From London: Harold Pinter 1993-1994 | Ronald Knowles |
| Book Reviews | |
| The Pinter Ethic: The Erotic Aesthetic by Penelope Prentice | Thomas P. Adler |
| “A Kind of Alaska”: Women in the Plays of O’Neill, Pinter and Shepherd by Ann C. Hall | Judith Roof |
| Pinter at Sixty, Ed. by Katerine H. Burkman and John L. Kundert-Gibbs | William Hutchings |
| Bibliography | |
| Bibliography of Harold Pinter 1994 | Susan Hollis Merritt |
The Pinter Review Annual Essays 1995 – 1996
| CONTENTS | |
| Harold Pinter: A Speech of Thanks | |
| Writing, Politics, and Ashes to Ashes: An Interview with Harold Pinter | Mireia Aragay |
| Early Typed Draft, The Homecoming | Harold Pinter |
| Spatialized Time in Harold Pinter’s Silence | C. Clausius |
| Pinter in Russia | Charles Evans |
|
Christopher Hudgins |
| Pinter Playing Pinter: The Hothouse | Susan Hollis Merritt |
| Notes on a Lecture-Workshop on Pinter’s Monologue | Margaret Rose |
| Charting Pinter’s Itinerary: Literary Allusion in A Kind of Alaska | Lisa Tyler |
| The Harold Pinter Archives II: A Description of the Filmscript Materials in the Archive in the British Library | Steven H. Gale and Christopher Hudgins |
| Expanding Upon Nothing: A Slight Ache and King Lear | Robert Cooperman |
| From London. Harold Pinter 1994-5 and 1995-6 | Ronald Knowles |
| Production: Notes and Reviews | Reviewed by |
| Moonlight in Hamburg | Peter Munder |
| Moonlight and The Homecoming in Prague | Susan Hollis Merritt |
| Moonlight in New York | Francis Gillen |
| Old Times in Washington | Brian Richardson |
| The Proust Screenplay on BBC Radio | Mary Bryden |
| Betrayal in Vancouver | Malcolm Page |
| Landscape in London | Robert Gordon |
| Book Reviews | |
| Understanding Harold Pinter by Ronald Knowles | William Hutchings |
| Conversations with Pinter, by Mel Gussow | Stephanie Moss |
| Gender and Power in the Plays of Harold Pinter by Victor L. Khan | Kimball King |
| Performing Women: Female Characters, Male Playwrights and the Modern Stage by Gay Gibson Cima | Kimball King |
| Appendix: Early Draft, The Homecoming: Amended Version | |
| Bibliography | |
| Harold Pinter Bibliography, 1993-1994 | Susan Hollis Merritt |
The Pinter Review Annual Essays 1997 – 1998
| CONTENTS | |
| Manuscript | |
| First Draft, The Homecoming | Harold Pinter |
| Pinter at Work: An Introduction to the First Draft on The Homecomingand Its Relationship to the Completed Drama | Francis Gillen |
| The Plays | |
| Looking for Mr Goldberg: Spectacle and Speculation in Harold Pinter’s The Birthday Party | Ann C. Hall |
|
Christopher Wixson |
| Talking About Some Kind of Atrocity: Ashes to Ashes in Barcelona | Marc Silverstein |
| Harold Pinter’s Ashes to Ashes: Rebecca and Devlin as Albert Speer | Katherine H. Burkman |
| The Screenplays | |
| From real to Real: Pinter and the Object of Desire in Party Time andThe Remains of the Day | Linda Renton |
| My Dark House: Harold Pinter’s Political Vision in His Screen Adaptation of Karen Blixen’s “The Dreaming Child“ | Francis Gillen |
| Book Reviews | |
| An Interview with Michael Billington, Author of The Life and Work ofHarold Pinter | Donald Freed |
| Production: Notes and Reviews | |
| 3 by Harold Pinter | Robert Gordon |
| Moonlight in Columbus | Marya Bednerik |
| Ashes to Ashes in New York | Katherine H. Burkman |
| Ashes to Ashes in New York | Susan Hollis Merritt |
| Betrayal in London | Elizabeth Winston |
| Kevin Sweeney | |
| From London | |
| Harold Pinter 1996-1997 and 1997-1998 | Ronald Knowles |
| Bibliography | |
| Harold Pinter Bibliography 1994-1996 | Susan Hollis Merritt |
| Culmulative Index | Shannon E. Gale |
| Nobel Prize Nominating Letters | |
The Pinter Review: Collected Essays 1999 – 2000
| CONTENTS | |
| Celebration | |
| Pinter at School | Henry Grinberg |
| Pinteresque | Margaret Atwood |
| Body and Soul: Poetics and Politics in the Work of Harold Pinter | Donald Freed |
|
|
| Harold Pinter and the Case of the Guilty Pen | Katherine H. Burkman |
| Harold Pinter: from Moonlight to Celebration | Martin Esslin |
| An Experience of Pinter: Address to the International Conference on Harold Pinter | Michael Billington |
| From the Pinter Archive, The British Library, London | |
| A Comment on a Holograph Fragment Found Among the Drafts of No Man’s Land A Feminine Voice | Francis Gillen |
| Holograph Draft Fragment | Harold Pinter |
| Poetry, Plays and Films | |
| Vision and Desire in Harold Pinter’s Unpublished Poem “August Becomes” | Linda Renton |
| Celebration in Performance; the Drama of Environment | Robert Gordon |
| Harold Pinter’s Ashes to Ashes: Political/Personal Echoes of the Holocaust | Susan Hollis Merritt |
| Harold Pinter’s Screenwriting: the Creative/Collaborative Process | Steven H. Gale |
| Speaking out | |
| An Interview with Harold Pinter | Elizabeith Sakellaridou |
| Aristotle University of Thessaloniki, Degree Speech April 18 2000 | Harold Pinter |
| Pinter and Other Writers | |
| Harold Pinter and T.S. Eliot | Ronald Knowles |
| Living in the Present: Pinter and O’Neill, Parallels and Affinities | Robert Combs |
| Pinter in Production | |
| Finding Pinter’s Subtext: Directing The Lover | Sidney Homan |
| Political and Personal Worlds of Play: Women at Play Perform Pinter’sAshes to Ashes | Robert Conklin |
| Shaping Ambiguity: The Chemistry Between Silence, Ghosting, and Framing Devices within a Production of Harold Pinter’s Ashes to Ashes | Christy Stanlake |
| Finding Themselves: The Mandrake Theatre Company’s Production of Harold Pinter’s The Dwarfs | Ann C. Hall |
| Harold Pinter’s The Dwarfs in London: A Playwright’s Perspective | Penelope Prentice |
| No Man’s Land in Athens | Elizabeth Sakellaridou |
| Books on Pinter | |
| Harold Pinter and the New British Theatre by D. Keith Peacock | Steven H. Gale |
| Postmodern/Drama : Reading the Contemporary Stage by Stephen Watt | William Hitchings |
| Staging the Rage: The Web of Misogyny in Modern Drama ed. Katherine H. Burkman and Judith Roof | Leigh Joyce Harbin |
| London Report | |
| Harold Pinter 1998-2000 | Ronald Knowles |
| Bibliography | |
| Harold Pinter Bibliography 1996-1999 | Susan Hollis Merritt |
| Appendix | |
| Program of the International Pinter Conference, London , England |
The Pinter Review: Collected Essays 2001 – 2002
| CONTENTS | |
| Then and Now | |
| Harold Pinter and the “Unfashionable Theatre”: An interview with Ronald Harwood | Donald Freed |
|
Mel Gussow |
| From the Pinter Archive, The British Library, London | |
| Draft of Landscape | Harold Pinter |
| “The Shape of Things” Landscape in Draft, Text and Performance | Francis Gillen |
| Landscape and Celebration, Set Designs | Eileen Diss |
| Critical Perspectives | |
| “Oh, My True Love”: The Lover in Pinter’s Landscape | Prapassaree T. Kramer |
| The Unhemilich Maneuver: Ashes to Ashes and the Structure of Repression | Craig N. Owens |
| “You Brought It Upon Yourself”: Subjectivity and Culpability inAshes to Ashes | Jessica Prinz |
| Pinter’s Phenomonological Mis-en-Scene | Elizabeth Sakellaridou |
| The Playwright as Director: Pinter’s Oleanna | Ira B. Nadel |
| Pinter in a Turkish Context | Ibrahim Yerebakan |
| Production The Lincoln Center Festival | |
| The Lincoln Center Pinter Festival: An Overview | Steve H. Gale |
| The Room and The Homecoming, set designs | Eileen Diss |
| Talking About Pinter”An Introduction to the Works of Harold Pinter”, by Michael Billington; “Playwrights on Pinter”: Arthur Miller, Edward Albee and John Guare; “Actors on Pinter”: Blythe Danner, Live Schreiber and Henry Woolf; and “Directors on Pinter” David Jones, Gari Jones and Karel Reisz | Reported by Susan Hollis Merritt |
| Menace Multiplied: Harold Pinter’s A Kind of Alaska and One for the Road | Reviewed by Anne C. Hall |
| Monologue at Lincoln Centre | Reviewed by Susan Hollis Merritt |
| The Gate Theatre’s The Homecoming | Reviewed by Charles Grimes |
| The Room and Celebration Performed by Almeida Theatre | Reviewed by Katherine H. Burkman |
| Mountain Language and Ashes to Ashes: A Playwright/Director’s Perspective | Reviewed by Penelope Prentice |
| Virtual Pinter | |
| Virtual Pinter: Using technology to Re-member The New World Order | John and Kristin Kundert-Gibbs |
| London Report | |
| Harold Pinter 2000 – 2001 | Ronald Knowles |
| Archives | |
| Harold Pinter Materials in the Margaret Herrick Library at The Academy of Motion Picture Arts and Sciences Center for Motion Picture Study | Steven H. Gale |
| Books | |
| The Pinter Ethic: The Erotic Aesthetic (2nd edition) by Penelope Prentice | Reviewed by Peter V. Arcese |
| Harold Pinter and the New British Theatre by D. Keith Peacock | Reviewed by Steven H. Gale |
| The Films of Harold Pinter by Steven H. Gale | Reviewed by William Hutchings |
| Bibliography | |
| Harold Pinter Bibliography: 1999 – 2000 | Susan Hollis Merritt |
The Pinter Review: Collected Essays 2003 – 2004
| CONTENTS | |
| Introduction | |
| Original Documents Letters from Harold Pinter to Henry Miller Letter from Harold to his friend, Mick Goldstein, regarding Waiting For Godot. |
|
| ESSAYS “I’m Compelled to Ask You Questions”: Interrogative Comedy and Harold Pinter’s Ashes to Ashes. |
Christopher Wixson |
| The Cheese-Roll under the Cocktail Cabinet: Pinter’s Object Lessons |
Andrew Sofer |
| The Contamination of Birth by Sex and Death in the Plays of Beckett and Pinter |
Katherine H. Burkman |
| Staged Dialogues with Authorship: Pinter and Beckett as Directors. |
Mark Batty |
| “HURRY UP PLEASE, IT’S TIME”: Pinter Past, Pinter Present, and Pinter Future |
Susan Hollis Merritt |
| The Modernist as Populist: Pinter’s Betrayal and Mass Culture |
Varun Begley |
| “Pinteresque” in the Popular Press | Susan Harris Smith |
| The Prescence of Music in Pinter’s Works | Ubiratan Paiva de Oliveira |
| FROM WORLD LEADERS: A Festival of Creative Genius: Homage to Harold Pinter |
|
| Staging Pinter: From Pregnant Pauses to Political Causes, a panel with Henry Woolf, Patricia Rozema and Hersh Zeifman |
Transcribed and edited by Susan Hollis Merritt, assisted by Sean Donnelly |
| SCREENPLAYS | |
| Process and History in Harold Pinter’s Reunion Screenplay | Charles Grimes |
| PINTER IN PRODUCTION | |
| Tears and an Actor’ Discovery: Playing Kate in Old Times |
Kathleen Cooper and Sidney Homan |
| The Caretaker in New York | Reviewed by Francis Gillen |
| Challenging Theatre: The Cleveland Playhouse’s Production of Harold Pinter’s Betrayal. |
Reviewed by Ann C. Hall |
| An Interview with Pavel Dobrusky and Peter Hackett | Joseph Fahey |
| Betrayal in Denver | Reviewed by Susan Hollis Merritt |
| The Caretaker and Betrayal | Reviewed by Mary Bryden |
| Making Spaces: Women at Play’s Production of Harold Pinter’s The Roomand Celebration. |
Reviewed by Ann C. Hall |
| BOOKS | |
| The Cambridge Companion to Harold Pinter | Reviewed by Thomas P. Adler |
| Pinter and the Object of Desire: An Approach Through the Screenplays |
Reviewed by Ann C. Hall |
| Sharp Cut: Harold Pinter’s Screenplays and the Artistic Process |
Reviewed by Christopher C. Hudgins |
| LONDON REPORT | |
| Harold Pinter 2002-2004 | Ronald Knowles |
| REMEMBERING | |
| To Martin | Bernard Dukore |
| Robards and Plummer: Partners in “No Man’s Land” | David Jones |
| In Memoriam: Martin Esslin, Mark W. Estrin, and Albert Wertheim | Steven H. Gale |
| BIBLIOGRAPHY | |
| Harold Pinter Bibliography: 2000-2002 | Susan Hollis Merritt |
